Elliott Carter

composer

Born in New York City on 11 December 1908, Elliott Carter began to be seriously interested in music in high school and was encouraged at that time by Charles Ives. He attended Harvard University where he studied with Walter Piston, and later went to Paris where for three years he studied with Nadia Boulanger. He then returned to New York to devote his time to composing and teaching.

With the explorations of tempo relationships and texture that characterize his music, Carter has been one of the prime innovators of 20th-century music. The challenges of works such as the Variations for Orchestra, Symphony of Three Orchestras, and the concertos and string quartets are richly rewarding.

Elliott Carter has been recipient of the highest honors that a composer can receive: the Gold Medal for Music awarded by the National Institute of Arts and Letters, the National Medal of Arts, membership in the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and honorary degrees from many universities. He has received two Pulitzer Prizes and commissions from prestigious organizations.

Elliott Carter died of natural causes on 5 November 2012 at his home in New York City at age 103.

Performances

Moonshine Room at Club Café | January 29, 2013
Jordan Hall at New England Conservatory | May 18, 2012
Moonshine Room at Club Café | February 3, 2009
Moonshine Room at Club Café | February 7, 2006
Jordan Hall at New England Conservatory | October 1, 2004

News and Press

[Concert Review] BMOP and Mark Morris
As the Globe's Jeremy Eichler pointed out in his review of the Boston Modern Orchestra Project's season-ending concert — called "Apollo's Fire" — referring to the program note by the BSO's Assistant Director of Program Publications Robert Kirzinger, the term "classical music" has become so all-inclusive that it doesn't have much at all to do with ancient "classical" art. But two recent live performances, by BMOP and the Mark Morris Dance Group, have focused on music that refers to ancient classical themes.
Boston Phoenix Full review
[Concert Review] Stylus reviews Apollo's Fire
On Friday, May 18, The Boston Modern Orchestra Project gave its Jordan Hall audience a theme-based concert, four 20th-century works works, tied by our understanding of Apollo as "Apollon Musagè," from his role as leader of the muses. One of the muses is, of course, Terpsichore, and this is the muse underpinning the first set of pieces, 5 Greek Dances by the Greek composer, Nikos Skalkottas.
Stylus Full review
[Concert Review] Hanging "Fire" with Gil Rose and BMOP
It has been a big year for Gil Rose, founder and conductor of the Boston Modern Orchestra Project, which two weekends ago (!) mounted a pleasing evening of classically-themed pieces collectively dubbed "Apollo's Fire."
The Hub Review Full review
[Concert Review] BMOP ends season with mythological leap
We don't tend to think much about the "classical" in classical music, the art form's links to ancient Greek culture. But as Robert Kirzinger reminded listeners in a program essay for Friday's Boston Modern Orchestra Project concert in Jordan Hall, the phrase classical music itself — while today almost meaningless in its catch-all nature — still acknowledges its implicit debt to more ancient pasts.
The Boston Globe Full review
[Concert Review] Fuse Concert Review: Boston Modern Orchestra Project/Gil Rose at Jordan Hall
Let summer officially begin! Boston's last major "regular season" orchestra, the Boston Modern Orchestra Project (BMOP), closed the books on its 2011-12 season on Friday night with a program of music inspired by Greece and Greek mythology. Dubbed "Apollo's Fire," BMOP presented a mix of older contemporary fare (read, all-20th century) featuring pieces by Nikos Skalkottas, Elliott Carter, Igor Stravinsky, and Lewis Spratlan, all conducted by music director Gil Rose.
Arts Fuse Full review