Sunday, September 27, 2009 | 3:00pm
Samuel Barber Dover Beach (1931)
Aaron Engebreth, baritone
Virgil Thomson The Feast of Love (1964)
Virgil Thomson Collected Poems (1959)
Samuel Barber Knoxville, Summer of 1915 (1947)
Virgil Thomson Five Songs of William Blake (1952)

Gil Rose, conductor

Voice of America is presented in partnership with Florestan Recital Project and Tufts University Department of Music.

Tickets are available for purchase online through the American Repertory Theater website or by calling the A.R.T. Box Office at 617.547.8300 (Mon-Fri 9am-5pm).

News and Press

[Concert Review] More from the Voice of America

I’ve been slow to post my thoughts on the second half of the “Voice of America” concert I heard last Friday, but that doesn’t mean I wasn’t enthusiastic about it. Indeed, this was probably the most rewarding Boston Modern Orchestra Project concert I’ve yet heard. Although I confess I don’t often hear this group; to me, there’s sometimes a problem built right into their concerts - they’re funded by the composers being played. I don’t mean to criticize this as a way of getting new music out before the public, and to be honest, what I’ve heard at BMOP has always been highly accomplished.

The Hub Review Full review
[Concert Review] Kicking off a vocal fest at Tufts

The conductor Gil Rose, after curating last year’s Ditson Festival of Contemporary Music, is admirably keeping alive the vision of a local new-music festival in late September. This year’s iteration, entitled “Voice of America,” is underway at Tufts University’s Granoff Music Center. It does not have the Ditson Fund’s generous backing so it paints on a necessarily smaller canvas, but last night’s opening performances made clear that it should be a richly rewarding weekend of American vocal music.

The Boston Globe Full review
[Concert Review] Florestan and BMOP join forces to celebrate American vocal repertoire

This evening’s double concert in the Distler Performance Hall of Tufts’ Granoff Music Center began a 3-day festival involving a partnership between the Florestan Recital Project and the Boston Modern Orchestra Project to highlight American vocal music. The former’s presentation was the 1st of 3 concerts which together would span the entire vocal opus of Samuel Barber, aptly titled, “BarberFest,” while the latter highlights contemporary compositions for vocalist(s) and chamber orchestra.

Classical Voice of New England Full review
[News Coverage] Quiet month gets stimulus

September is usually the quietest month of the year for local classical music, with the summer activity largely vanished and the fall tumult yet to descend. Last year was an exception, with the Alice M. Ditson Fund throwing a big new-music party for most of the established local ensembles over four days at the Institute of Contemporary Art. As groups collaborated and programmed on a broader canvas, the festival energized the local scene, and many musical insiders hoped it could become a fall tradition.

The Boston Globe Full review
[News Coverage] Voice of America Festival at Tufts

Presented by the Boston Modern Orchestra Project (BMOP) in partnership with the Florestan Recital Project and Tufts University Department of Music, the Voice of America Festival will showcase a series of American vocal works, both new and unknown to Boston audiences, and bring an unprecedented diversity of American vocal music to Tufts University.

Classical Voice of New England Full review