Alvin Lucier was born in 1931 in Nashua, New Hampshire. He was educated in Nashua public and parochial schools, the Portsmouth Abbey School, Yale, and Brandeis and spent two years in Rome on a Fulbright Scholarship. From 1962 to 1970 he taught at Brandeis, where he conducted the Brandeis University Chamber Chorus which devoted much of its time to the performance of new music. Since 1970 he has taught at Wesleyan University where he is John Spencer Camp Professor of Music. Lucier has pioneered in many areas of music composition and performance, including the notation of performers' physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tunings with pure tones, sound waves are caused to spin through space.

Mr. Lucier performs, lectures and exhibits his sound installations extensively in the United States, Europe and Asia. He has visited Japan twice: in 1988 he performed at the Abiko Festival, Tokyo, and installed MUSIC ON A LONG THIN WIRE in Kyoto; in 1992 he toured with pianist Aki Takahashi, performing in Kawasaki, Yamaguchi and Yokohama. In 1990-91 he was a guest of the DAAD Kunstler Program in Berlin. In January 1992, he performed in Delhi, Madras, and Bombay, and during the summer of that year was guest composer at the Time of Music Festival in Vitaasari, Finland. He regularly contributes articles to books and periodicals. His own book, Chambers, written in collaboration with Douglas Simon, was published by the Wesleyan University Press. In addition, several of his works are available on Cramps (Italy), Disques Montaigne, Source, Mainstream, CBS Odyssey, Nonesuch, and Lovely Music Records.

In October, 1994, Wesleyan University honored Alvin Lucier with a five-day festival, ALVIN LUCIER: COLLABORATIONS, for which he composed twelve new works, including THEME, based on a poem by John Ashbery and SKIN, MEAT, BONE, a collaborative theater work with Robert Wilson. In April, 1997, Lucier presented a concert of his works on the MAKING MUSIC SERIES at Carnegie Hall and in October of the same year his most recent sound installation, EMPTY VESSELS, was exhibited at the Donaueschingen Music Festival in Germany. Recently, DIAMONDS for three orchestras was performed under the direction of Petr Kotik at the Prague Spring Festival, 1999.

In March 1995, REFLECTIONS/REFLEXIONEN, a bi-lingual edition of Lucier's scores, interviews and writings was published by MusikTexte, Koln.


John Knowles Paine Hall at Harvard University | March 31, 2012

News and Press

[Concert Review] Electro-acoustic Experiences at Harvard

Say hello to Hans Tutschku before the concert, and he will direct you to the "sweet spot" of the room. This past weekend was Tutschku's second "festival" of the year, where space and technology would share the limelight. Last fall, he curated "Sound in Space Festival: The Art of Interpretation of Electro-acoustic Music" at the Fenway Center in Boston. This spring, Tutschku was curator of a two-day festival "Jour, Contre-jour" with the Fromm Players at Harvard, held in the university's John Knowles Paine Concert Hall Friday night and last night.

Boston Music Intelligencer Full review