Appearing in the outer movements, Slyvan’s charisma enables Fussell’s Wilde to soar. The work sets selections from Wilde’s letters to Lord Alfred Douglas that reflect on the joys of fatherhood and his despondency after his trial and incarceration. Fussell folds in an artful Victorianesque tune, its temperament bending to suit the mood. The curtain raiser, High Bridge Prelude (alternately called High Bridge, Portrait of Hart Crane) is taken from a larger work commemorating Hart Crane. Fussell had considered both Crane and Wilde as opera subjects, with Wilde‘s sweep and intensity suggesting a symphony that wants to be an orchestra.
January 1, 2009