Fred Bouchard
December 1, 2008

Composers of today’s Olympian jazz-classical concertos would do well to listen to these deceptively understated, coolly creative pieces that capture the zeitgeist of the 1960s. These three newly recorded 20-minute works (dubbed “Third Stream” by Gunther Schuller himself) explore and synthesize myriad interactions between a jazz combo improvising and a chamber orchestra reading a through-composed score with some big band gestures.