Boston Modern Orchestra Project: Strings Attached

The Boston Modern Orchestra Project (BMOP) presented its third full concert of the season at Jordan Hall on Saturday night, March 6, exclusively featuring the strings in an extensive, fairly eclectic program of music for string orchestra. The program, tagged “Strings Attached” was the counterpart to BMOP’s prior concert in January featuring music exclusively for winds. The pieces performed included two monuments of the 20th-century canon, Bartók’s Divertimento and Babbitt’s Correspondences for string orchestra and synthesized tape.

Media Date 
March 8, 2010
Media Source 
The Boston Musical Intelligencer
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Media Quote 

The performance was energetic and sensitive, and rounded off the various styles represented in the program with profundity.

Media Contact Name 
Peter Van Zandt Lane

Things that go BMOP in the night

If you attended a performance of the Boston Symphony Orchestra last fall, chances are pretty good that you heard one or more of Beethoven’s symphonies. The BSO, widely recognized as one of the world’s most elite orchestras, presented a complete set of these vaunted works throughout October and November and has several additional performances scattered throughout their concert season. My hometown orchestra, the New Haven Symphony Orchestra, dedicated this, their 116th season, to the theme “Beethoven and Beyond.” Their concerts are centered around a complete series of the nine symphonies.

Media Date 
January 29, 2010
Media Source 
Brandeis Hoot
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Media Quote 

Recoil proves that there is still creativity and talent to be found in the art music scene, and it is truly a shame that many orchestras are doing so little to seek it out.

Media Contact Name 
Adam Hughes

Classical Music Review: BMOP's Band in Boston

Time was when Boston had a City Censor, and books and plays drummed up trade by having them “Banned in Boston.” The Boston Modern Orchestra Project, headed by conductor Gil Rose, came up with the deliciously punning title “Band in Boston” for its Jordan Hall concert on January 22. Indeed there was not a bowed string instrument to be seen on stage all evening – nothing but 36 wind players, plus five percussionists, a harpist, and three pianists.

Media Date 
January 26, 2010
Media Source 
The Arts Fuse
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Media Quote 

This is a dazzling piece, smashingly executed.

Media Contact Name 
Caldwell Titcomb

BMOP: Band in Boston

The BMOP continued its season last Friday with their Band in Boston concert, celebrating 20th and 21st century music for wind ensemble with two repertoire mainstays by Stravinsky and Percy Grainger, as well as some newer compositions by Harold Meltzer, Wayne Peterson, and Joseph Schwantner. Robert Kirzinger’s excellent program notes make the case that band music has lost some of its historical prestige because the bands (military, university, etc.) have themselves lost their prestige, despite their ability, popularity, and cultural and social significance.

Media Date 
January 25, 2010
Media Source 
Boston lowbrow
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Media Quote 

PRISM played with convincing chemistry and the trumpet section of the orchestra belted it out with impressive swiftness in the piece's big band finish.

Media Contact Name 
Bryce Lambert

BMOP does band

The Boston Modern Orchestra Project is known for exploring a wide variety of 20th- and 21st-century instrumental music. On January 22nd at New England Conservatory’s Jordan Hall, under the baton of music director Gil Rose, the group forayed into wind ensemble territory with a program of varying styles and with mixed effectiveness.

Media Date 
January 24, 2010
Media Source 
The Boston Musical Intelligencer
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Media Quote 

The ending was sensational.

Media Contact Name 
Tom Schnauber

Mighty winds and brass!

If you saw sparks flying over Boston’s Back Bay last night, it might have been the result of the energy and excitement generated by the Boston Modern Orchestra Project during their performance in Jordan Hall. BMOP’s primary mission is to commission, perform and record new orchestral work. They also perform 20th-century “classics” with great gusto.

Media Date 
January 23, 2010
Media Source 
Miss Music Nerd
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Media Quote 

I think the kind of energy and commitment BMOP evinces make it a full meal — dessert, coffee and all!

Media Contact Name 
Linda Kernohan

A musical celebration of Israel's 60th anniversary

The Boston Modern Orchestra Project and director Gil Rose have cultivated a fascinating niche: aural snapshots of particular countries or national traditions. The past couple of seasons witnessed programs spotlighting France and Armenia; on Sunday, a concert sponsored by Combined Jewish Philanthropies and the Judaica Division of the Harvard College Library celebrated Israel’s 60th anniversary.

Media Date 
November 4, 2008
Media Source 
The Boston Globe
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Media Quote 

A charming curtain-raiser, deploying instrumental choirs with polish.

Media Contact Name 
Matthew Guerrieri

BMOP celebrates Israel at 60

The Boston Modern Orchestra Project performed alongside guest artist Kenneth Radnofsky to commemorate the 60th anniversary of Israel’s independence at Sanders Theatre on Sunday evening.

The concert, “Israel at 60: Six Decades of Innovative Music,” marked the world premiere of Israeli composer Betty Olivero’s composition Kri’ot, the first piece of Israeli classical music to join a solo saxophone—played by Radnofsky—and a string quartet. Oliveros’s premiere received a five-minute standing ovation from the audience.

Media Date 
November 2, 2008
Media Source 
The Harvard Crimson
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Media Quote 

Listening to Olivero's music is like swimming in an ocean and when you pick up your head you can see the traditions she is weaving into her music.

Media Contact Name 
Brian Mejia

Celebrating the music of Israel

Sunday marks the 60th anniversary of the founding of the state of Israel. It is a date of obvious and deep importance, especially in the realms of politics and religion.

Media Date 
October 31, 2008
Media Source 
The Boston Globe
Media 
Media Quote 

It's kind of a discovery for me.

Media Contact Name 
David Weininger

Concert Review: Matt Haimovitz and the Boston Modern Orchestra Project at the ICA

On Sunday, the Ditson Festival of Contemporary Music’s last pair of concerts at the ICA began with two people and finished with over sixty, in a glass box on the harbor. The former were Matt Haimovitz, on cello, and Geoff Burleson, on (and in) piano. Children standing on the postmodern boardwalk outside pressed their faces against the window as Burleson hit keys with one hand and reached in with the other to pluck at the piano’s viscera, as Augusta Read Thomas’s Cantos for Slava (2008) required.

Media Date 
September 22, 2008
Media Source 
Bostonist
Media 
Media Quote 

A whole minute seemed to pass before the last notes faded and everyone remembered to breathe again.

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