The Boston Globe reviews Andrew Norman: Play
“Play,” which the Boston Modern Orchestra Project commissioned from the fast-rising composer Andrew Norman in 2013, is being talked about as the most important long orchestral work of the 21st century. That kind of hype can often be misleading, but in this case it’s quite likely accurate. The 45-minute, three-movement work, which encompasses various meanings of play — some lighthearted, some sinister — begins in an almost spastic fit of energy; musical ideas ricochet off one another furiously, almost too quickly.
It’s “Play,” in a brashly confident performance by BMOP and Gil Rose, that most clearly points up Norman’s staggering imagination and talent.