composer

Krzysztof Penderecki was born in Dębica on November 23, 1933. He studied composition privately with Franciszek Skołyszewski and then (1955-8) with Artur Malawski and Stanisław Wiechowicz at the State Higher School of Music in Kraków, where he also taught, being appointed its rector (i.e., president) in 1972 (in the 1980s the School was renamed "Academy of Music"). Penderecki's career had a very auspicious beginning. In 1959 he came suddenly to prominence when three of his works won first prizes in a national competition organized by the Polish Composers' Union (he submitted them under different pseudonyms). His reputation quickly spread abroad, notably through performances of such works as Anaklasis (written for the 1960 Donaueschigen Festival) and Threnody for the Victims of Hiroshima. The latter piece, as well as the Passion According to St. Luke of 1963-5, found an unusually wide audience for contemporary works, and Penderecki soon received important commissions from diverse organizations in Europe and the USA. He has also appeared widely as a lecturer and in 1972 began to conduct his own compositions.

Penderecki has won numerous domestic and foreign prizes including the First Class State Award (1968, 1983), the Polish Composers' Union Prize (1970), the Herder Prize (1977), the Sibelius Prize (1983), the Premio Lorenzo Magnifico (1985), the Israeli Karl Wolff Foundation Prize (1987), a Grammy Award (1988), a Grawemeyer Award (1992), and a UNESCO International Music Council Award (1993). He has honorary doctorates from universities in Rochester, Bordeaux, Leuven, Belgrade, Washington, Madrit, Poznań, Warsaw, and Glasgow. He is an honorary member of the Royal Academy of Music in London, Accademia Nazionale di Santa Cecilia in Rome, Musikaliska Academien in Stockholm, Akademie der Kunste in Berlin, Academia Nacional de Bellas Artes in Buenos Aires, Academie Internationale de Philosophie et de I' Art in Bern, Academie Internationale des Sciences, Belles-lettres et Arts in Bordeaux, and the Royal Academy of Music in Dublin. In 1990 he received the Great Cross of Merit of the Order of Merit of the Federal Republic of Germany, in 1993 the Order of Cultural Merit (Monaco), and in 1994 an Austrian honorary distinction for Achievements in Science and Arts. In 1993 he was decorated with the Commander's Cross with the star of the Order of Polonia Restituta.

Penderecki's teaching career developed in Germany, the U.S., and Poland. He taught composition at the Volkwang Hochschule fur Music, Essen (from 1966 to 1968); in 1973-8 he lectured at Yale University in New Haven. In 1982-7 he was rector of the Academy of Music in Kraków, and in 1987-1990 he served as the artistic director of the Kraków Philharmonic. Since his conductor's debut with the London Symphony Orchestra (1973), he has performed with prominent symphony orchestras in the United States and Europe, and he is chief guest conductor of the Norddeutscher Rundfunk Orchestra in Hamburg. Apart from his own works, his conducting repertoire covers the works of composers from various epochs, with a preference for 19th-century and early 20th-century compositions. In 1997 he published a book entitled "The Labyrinth of Time. Five Lectures at the End of the Century" (Warsaw, "Presspublica"). In 1996 the performance of his piece Seven Gates of Jerusalem, commissioned by the city, commemorated the celebrations of "Jerusalem - 3000 Years." in Israel.

Performances

Jordan Hall at New England Conservatory | January 21, 2006

News and Press

[Concert Review] "Connection" proves spirited and spiritual

An indelible image from Saturday’s Boston Modern Orchestra Project concert was that of mezzo soprano Mary Nessinger, shouting through a megaphone some wisdom from St. Francis about perfect joy.

The Boston Globe Full review
[Press Release] BMOP presents 8th annual celebration of Boston composers

The Boston Modern Orchestra Project (BMOP), under artistic director and conductor Gil Rose, presents its 8th annual "Boston ConNECtion" concert on Saturday, January 21. BMOP is one of the few professional orchestras in the United States dedicated exclusively to performing and recording music of the twentieth and twenty-first centuries. Since its founding in 1996, BMOP has programmed 46 concerts of contemporary orchestral music, including 37 world premiere performances, released ten world premiere recordings, and won eight ASCAP Awards for Adventurous Programming.

Full review
[Press Release] BMOP opens its season with the North American premiere of Louis Andriessen's Trilogy of the Last Day

The Boston Modern Orchestra Project (BMOP), under artistic director and conductor Gil Rose, is one of the few professional orchestras in the United States dedicated exclusively to performing and recording music of the twentieth and twenty-first centuries. Since its founding in 1996, BMOP has programmed 46 concerts of contemporary orchestral music, released ten world premiere recordings, and won eight ASCAP Awards for Adventurous Programming.

Full review