Jewish composer Lukas Foss has the only recording of his complete orchestral works released next week.

The double-disc set, Lukas Foss: Complete Symphonies, is performed by the Boston Modern Orchestra Project, conducted by Gil Rose.

BMOP previously released Foss' cantata The Prairie, set to texts of Carl Sandburg.

Foss was born Lukas Fuchs in Berline in 1922. The child prodigy moved with his family to Paris in 1933, before heading to America four years later.

The Jewish Telegraph Full review

In his too-brief career, the American composer Irving Fine (1914-1962), a star pupil of Nadia Boulanger and a founding professor at Brandeis University, brought the spirit of Stravinsky’s 1940s neoclassicism into several elegantly-crafted, witty, expressive, and vividly orchestrated works. In the Toccata concertante one can hear echoes of Stravinsky’s Symphony in Three Movements, but the assimilation into Fine’s vigorous and entirely personal style is completely convincing.

Classical Ear UK Full review

American composer Irving Fine (1914-1962) died of a stroke at the age of 48, only days after he conducted the premiere of his Symphony at the Tanglewood Music Festival.

Classical Voice North America Full review

Just to show that I listen to, and enjoy, music that is not British. I recently reviewed this excellent CD of music by one of the United States great composers. As I noted at the conclusion of my review, 'this is an exciting and desirable retrospective of Irving Fine’s orchestral music.' It was first published on MusicWeb International.

British Classical Music Full review

Boston-born Irving Fine's (1914-1962) unfortunate demise at forty-seven deprived the classical music world of an extremely promising talent. A superb teacher and administrator, he was also an accomplished pianist, conductor and composer, who owing to his early death completed only six orchestral works. Now for the first time we get all of them on one disc with this hybrid, CD(2)/SACD(2/5.0), disc from BMOP/sound in their acclaimed series devoted to twentieth century American composers (see 14 May 2014).

Classical Lost and Found Full review

We'll call it in the air: 2015 is going to end up being a great year for music. The albums that have impressed us the most over the year's first six months are a varied lot. There's enormous ambition on display here, epic works crafted to bust boundaries or reshape at will (check out that three-hour debut album), but also intensity in small gestures: a pair of devastating albums about loss, two more anchored in the sounds of sisterly harmonies. As we reach the year's mid-point, take a moment to listen with us, ears wide open to a great six months of music.

NPR Full review

Saddening news. Gunther Schuller has died at the age of 89. A musical polymath, Schuller was active as a composer, conductor, arranger, historian, educator, arts administrator and, earlier in his career, French horn player. He pioneered the concept of “Third Stream” music: works that combine influences and materials from jazz and classical music.

Sequenza21 Full review

"Curious, isn’t it, that the last really great symphony…was Stravinsky’s Symphony in Three Movements, date 1945, exactly coincident with the end of World War Two? It is as though that apocalyptic bomb had demolished not only Hiroshima but, as a side effect, the whole tonal symphonic concept as well.

And so for the last thirty years we have had no real symphonic history."

The Arts Fuse Full review

The title of the Boston Modern Orchestra Project's superb disc of music by Elena Ruehr is 'O'Keeffe Images', which refers to her triptych of works inspired by paintings of Georgia O'Keeffe. They are wondrous pieces, abounding in sonorous awe, grandeur and imagination, as befits the images that stimulated the American composer. A similar sense of urgent brilliance pervades the three Ruehr works preceding the O'Keeffe collection.

Gramophone Full review

Elena Ruehr studied with Persichetti at Julliard and Bolcom at the University of Michigan. These are all her works for orchestra.

Shimmer (1995), for strings, moves in harmonically static blocks of diatonic counterpoint. It is a glowing (shimmering) dance with grace and a folk-like feel, elegant and Coplandesque, with a dash for minimalism for flavor.

American Record Guide Full review

Andrew Norman (b. 1979) studied at USC, where he currently teaches, and then at Yale. He lives in the Bedford-Stuyvesant section of Brooklyn, traditionally the most dangerous part of the city (I guess it's been gentrified by now). He has been a contributor to New York's Bang On a Can group as well. The combination of those locales tells a great deal about Mr Norman's work, for which he was a recent Pulitzer Prize finalist.

American Record Guide Full review

When Elena Ruehr (b. 1963) received her musical education (University of Michigan and The Juilliard School) in the late 1980s, melody wasn’t even considered as a part of modern music theory classes. Fortunately, one of her teachers—George Balch Wilson—recognized her gift for it. Now she sees melody as “the most complex and human of musical experiences.” Raised in a family of amateur musicians (her mother sang folk music and early jazz standards), she learned the piano at age five. Her passion as a dancer infuses her music with a distinctive rhythmic pulse.

Audiophile Audition Full review

I have already mentioned a few times here of the extraordinary work of the Boston Modern Orchestra Project and its leader Gil Rose and its label (41 discs since 2008!). This time, it offers us the music of Andrew Norman, an explosive composer in his mid-thirties, which was developed during a two-year residency with the orchestra. The 46-minute Play explores brilliantly the possible modes of play of the orchestra, playing the musicians either together or against each other, for example.

Voir Full review

Irving Fine, Complete Orchestral Works
Boston Modern Orchestra Project, Gil Rose, conductor
BMOP Sound 1041

The New York Times Full review

This disc is a most welcome retrospective of American composer Irving Fine, who died in 1962. Fine was a member of the so-called “Boston Six” or “Boston School.” Other members of the Boston School included Arthur Berger, Leonard Bernstein, Aaron Copland, Lukas Foss, and Harold Shapero.

Audiophile Audition Full review

When preparing to webcast 24 hours of orchestral music written in the 21st century, it is advisable to seek out expert opinions. For Q2 Music's Symphomania: 24 Hours with the 21st-Century Orchestra, we turned to champions of the field for their take: What are the thrills and challenges of conducting this music? Have any trends emerged among new works? How, if at all, is the symphony orchestra evolving?

WQXR Full review

The four orchestral works of composer Elena Ruehr that are assembled on this alluring disc by the Boston Modern Orchestra Project are striking for their combination of rhapsodic, almost sinful lushness and a robust force that keeps the effect from cloying. Her signature orchestrational move is to pull you in with the strings and then let the brass punch you in the gut, and it works every time — even when you know it’s coming. Even the overall course of the disc works that way.

San Francisco Chronicle Full review

“Play,” which the Boston Modern Orchestra Project commissioned from the fast-rising composer Andrew Norman in 2013, is being talked about as the most important long orchestral work of the 21st century. That kind of hype can often be misleading, but in this case it’s quite likely accurate. The 45-minute, three-movement work, which encompasses various meanings of play — some lighthearted, some sinister — begins in an almost spastic fit of energy; musical ideas ricochet off one another furiously, almost too quickly.

The Boston Globe Full review

Disastrous winters live long in historical memory. For example, there is the blizzard that hit the Great Plains in January of 1888, which caught many who lived in the Midwestern territories unawares. Known as the Children’s Blizzard, the storm trapped students and teachers in their one-room schoolhouses where they remained for days. Many who ventured out into the storm succumbed to frostbite. Others froze to death. In conservative estimates, several hundred people died.

Boston Classical Review Full review

If you’d like a glimpse of the future of symphonic music — or if you just want to know what devilish majesty the New York Philharmonic will shortly unleash — this two-year-old YouTube video from the Proms in London is a good place to start. It shows the world premiere of Thomas Adès’s Totentanz (Dance of Death), which the Philharmonic will perform March 12 through 14.

Vulture Full review