BMOP's Luminous Noise at Wellesley

The Boston Modern Orchestra Project, Gil Rose, conductor, is in residence this year at Wellesley College and presenting three concerts, of which the first, entitled, “Luminous Noise: Three Women Compose,” was presented on Saturday, December 11, at the Houghton Chapel. The acoustics there have always been excellent — the venue is often used for recording projects — and continue to be so after the recent renovation. This concert was one of three performances of the same program at Bowdoin College and Tufts University on this same weekend.

Media Date 
December 13, 2010
Media Source 
The Boston Musical Intelligencer
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Media Quote 

Stunning in its simplicity and power.

Media Contact Name 
Mary Wallace Davidson

Club BMOP's alternative narratives

Gil Rose presented Boston Modern Opera Project’s first Club Concert of the season on Monday evening, November 29. These evenings, which began at the Club Café in Boston in 2003 and this year moved to the Oberon in Cambridge, are hosted by BMOP’s Score Board (New England composers) whose members take turns “curating.” On this occasion it was Curtis K. Hughes who introduced each work, with pianist Sarah Bob introducing Hughes’s own composition.

Media Date 
December 2, 2010
Media Source 
The Boston Musical Intelligencer
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Media Quote 

Altogether a rich and engaging work I’d like to hear again.

Media Contact Name 
Mary Wallace Davidson

More from the Voice of America

I’ve been slow to post my thoughts on the second half of the “Voice of America” concert I heard last Friday, but that doesn’t mean I wasn’t enthusiastic about it. Indeed, this was probably the most rewarding Boston Modern Orchestra Project concert I’ve yet heard. Although I confess I don’t often hear this group; to me, there’s sometimes a problem built right into their concerts - they’re funded by the composers being played. I don’t mean to criticize this as a way of getting new music out before the public, and to be honest, what I’ve heard at BMOP has always been highly accomplished.

Media Date 
September 29, 2009
Media Source 
The Hub Review
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Media Quote 

What I’ve heard at BMOP has always been highly accomplished.

Media Contact Name 
Thomas Garvey

Florestan, BMOP offer sublime tribute to vocal music

The Boston Modern Orchestra Project had a good idea last weekend. They paired with the Florestan Project, a superb vocal group, to present three days of concerts named “Voice of America” at Tufts University’s Distler Performance Hall. Florestan presented the complete songs of Samuel Barber, some 75 in number. The Sunday afternoon concert I attended then featured a chamber-music-sized BMOP with concerted songs of Samuel Barber and Virgil Thomson. Florestan and BMOP together offered a sublime tribute to the voice.

Media Date 
September 29, 2009
Media Source 
The Boston Musical Intelligencer
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Media Quote 

No one can forget the last song's "ah, to be all alone."

Media Contact Name 
Larry Phillips

The Barber songbook

Samuel Barber (near left, with his lover Gian Carlo Menotti) once described himself as “a living dead composer,” and indeed, for most his life his commitment to romantic feeling in the modern age consigned him to the dustbin of critical opinion. But history has a way of upending that dustbin, and Barber’s gift for lyrical simplicity, cemented in the popular mind by his Adagio for Strings, has enabled him to outlast his detractors.

Media Date 
September 27, 2009
Media Source 
The Hub Review
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Media Quote 

The central thread in the concert was a deep yet somehow luminous sense of melancholy

Media Contact Name 
Thomas Garvey

Kicking off a vocal fest at Tufts

The conductor Gil Rose, after curating last year’s Ditson Festival of Contemporary Music, is admirably keeping alive the vision of a local new-music festival in late September. This year’s iteration, entitled “Voice of America,” is underway at Tufts University’s Granoff Music Center. It does not have the Ditson Fund’s generous backing so it paints on a necessarily smaller canvas, but last night’s opening performances made clear that it should be a richly rewarding weekend of American vocal music.

Media Date 
September 26, 2009
Media Source 
The Boston Globe
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Media Quote 

It was a particular pleasure to hear these art songs presented.

Media Contact Name 
Jeremy Eichler

Florestan and BMOP join forces to celebrate American vocal repertoire

This evening’s double concert in the Distler Performance Hall of Tufts’ Granoff Music Center began a 3-day festival involving a partnership between the Florestan Recital Project and the Boston Modern Orchestra Project to highlight American vocal music. The former’s presentation was the 1st of 3 concerts which together would span the entire vocal opus of Samuel Barber, aptly titled, “BarberFest,” while the latter highlights contemporary compositions for vocalist(s) and chamber orchestra.

Media Date 
September 25, 2009
Media Source 
Classical Voice of New England
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Media Quote 

These two programs were admirable additions to the Boston artistic calendar.

Media Contact Name 
Robert Myers

A congress of noise convened in Jordan Hall

The human desire to produce a loud noise by striking one object with another must be as old as communication itself, and like all histories, it has its high points and lows. The period between the two world wars, for instance, was a very good time for the art and science of banging. The Boston Modern Orchestra Project reminded us of this fact on Friday night with a memorable concert that was in equal parts ambitious musical event, cultural time warp, and sonic magical mystery tour.

Media Date 
November 16, 2009
Media Source 
The Boston Globe
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Media Quote 

Antheil's score has not lost its ability to harass and delight the senses with its sheer audacity.

Media Contact Name 
Jeremy Eichler
Media Contact Title 
Globe Staff

Classical music review: BMOP's Big Bang

The Boston Modern Orchestra Project (BMOP) began its season in Jordan Hall on November 13 with an unusual and enthralling concert that it advertised as a “Big Bang” event. In all three works on the program the emphasis was on a huge assortment of percussion instruments both familiar and exotic.

Media Date 
November 16, 2009
Media Source 
The Arts Fuse
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Media Quote 

This concert was as enterprising an undertaking as the season will offer, and the result was a dazzling success.

Media Contact Name 
Caldwell Titcomb

Ballet mécanique

The avante-garde and complexity of George Antheil’s Ballet mécanique probably explains why it hasn’t been performed for a live audience since 2001 and why it’s only been performed a few times since its original composition in 1924.

Media Date 
November 15, 2009
Media Source 
Object-Idea
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Media Quote 

It was an amazing and amusing aural experience and a true ballet of mallets, musicians, and mechanical mayhem.

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