Rose, BMOP present electronically enhanced music at Jordan

Some instruments, once you’ve glimpsed them, stay with you. I’ll never forget my brief encounter with the emormous, room-filling RCA Mark II synthesizer, the first of its kind, built in the 1950s and bursting with period charisma, thanks to its towering stacks of vacuum-tube components and endless rows of knobs and dials. Its aura was so redolent of the early-Cold War era, it seemed that if composers like Milton Babbitt and Vladimir Ussachevsky had not kept it so busy, then maybe, just maybe, we might have beaten the Soviets into space.

Media Date 
October 14, 2014
Media Source 
The Boston Globe
Media Location 
Boston, MA
Media 
Media Quote 

The orchestra comes along for what is by turns a kinetic and lyrical ride, one that on Sunday also forced you to consider how conventional notions of virtuosity might be redefined for a work where so much happens off-stage and on screen.

Media Contact Name 
Jeremy Eichler
Media Contact Title 
Globe Staff
Media Contact Email 

Surrounded! De Ritis premiere reverberates at BMOP’s plugged-in opener

The best music deal in town this holiday weekend might have been “Surround Sound,” the Boston Modern Orchestra Project’s concert Sunday afternoon at New England Conservatory’s Jordan Hall.

Media Date 
October 13, 2014
Media Source 
Boston Classical Review
Media Location 
Boston, MA
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Media Quote 

The composer’s use of the orchestra was resourceful and evocative throughout the work, and skillful execution by the players and conductor Rose made his musical imagery leap off the page.

Media Contact Name 
David Wright

BMOP Celebrates Fine Friends

The Boston Modern Orchestra Project celebrated Irving Fine’s centennial at Jordan Hall Friday with performances of three of his works alongside pieces by Harold Shapero and Arthur Berger—two of Fine’s mid-20th-century “Third Boston School” colleagues. The event was part concert, part a collegiate bash for Brandeis University, and part family reunion. Eric Chasalow, the current Irving G. Fine Professor of Music at Brandeis, made some remarks and read a letter from the university’s president, Frederick Lawrence.

Media Date 
May 19, 2014
Media Source 
The Boston Musical Intelligencer
Media Location 
Boston, MA
Media 
Media Contact Name 
Benjamin Pesetsky

BMOP salutes Irving Fine centenary

Irving Fine — born in East Boston a century ago this December, an anniversary celebrated by the Boston Modern Orchestra Project and conductor Gil Rose on Friday — was at the center of the Boston School of mid-20th-century classical composition.

Media Date 
May 19, 2014
Media Source 
The Boston Globe
Media Location 
Boston, MA
Media 
Media Contact Name 
Matthew Guerrieri

Irving Fine centennial marked in brilliant style by BMOP

In his short creative life Irving Fine secured a reputation for both populist and serious music. His chamber and choral works remain in the standard repertoire, but his little-played orchestral music is remarkable and memorable for its personal charm and lyricism even when the composer employed the most dissonant of material.

Media Date 
May 17, 2014
Media Source 
Boston Classical Review
Media Location 
Boston, MA
Media 
Media Contact Name 
Aaron Keebaugh

BMOP's connections elucidated

Boston Modern Orchestra Project’s 15th annual “Boston ConNECtion” concert at Jordan Hall on March 28th was, as you can adduce by reading BMInt’s interview with composer Donald Crockett here, is a bit of a stretch programmatically, as only two of the four composers whose works were presented (the two youngest, as it happened) have or had anything like a significant association with New England Conservatory, and only one of them currently resides in the area.

Media Date 
March 30, 2014
Media Source 
The Boston Musical Intelligencer
Media Location 
Boston, MA
Media 
Media Quote 

Basically, as one shamelessly comes to expect with a band as expert as this one, the performance was without blemish.

Media Contact Name 
Vance R. Koven

BMOP offers a riveting, rhapsodic Lei Liang premiere

During China’s Cultural Revolution, one of the world’s oldest civilizations tore itself apart. The estimated 70 million deaths that resulted have touched the lives of just about everyone in the country and many around the world.

One story from China’s remote Xiaoxiang region tells of a widow who avenges the death of her husband by tormenting his killer, a local communist official. Devoid of any legal means of seeking justice, she sat in the forest behind the official’s house every night for months and wailed like a ghost. Both went insane.

Media Date 
March 29, 2014
Media Source 
Boston Classical Review
Media Location 
Boston, MA
Media 
Media Quote 

Rose, leading with deliberate and hammer-like gestures, pulled spectacular playing from the orchestra.

Media Contact Name 
Aaron Keebaugh

New England's Prospect: Three World Premieres in Wildly Disparate Styles

It has become commonplace to bash the symphony orchestra. All together now: it’s impractical, old-fashioned, a relic, a museum, a bastion of canonic conservatism, a hangover from long-gone eras and aesthetics. We know the drill.

Media Date 
January 28, 2014
Media Source 
NewMusicBox
Media Location 
Boston, MA
Media 
Media Quote 

--we want it bad.

Media Contact Name 
Matthew Guerrieri

BMOP's Three Boston-Based World Premieres

The January program in the Boston Modern Orchestra Project’s season almost always emphasizes Boston-based composers of the present day or recent past. On Friday night Gil Rose led the group in three world premieres by composers of whom two still live and work in the area, while the third studied and taught here before moving elsewhere. The three pieces were very different in character, all worth hearing, and all extremely well played.

Media Date 
January 21, 2014
Media Source 
The Boston Musical Intelligencer
Media Location 
Boston, MA
Media 
Media Quote 

all worth hearing, and all extremely well played.

Media Contact Name 
Steven Ledbetter

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