Peter Child in ARG

This album was my introduction to the music of Peter Child. Like Lindberg’s works, Child’s music is multi-faceted and adaptable to whatever idea is at hand. The wild and exuberant Jubal is essentially a symphony-concerto for orchestra, compressed into one 15-minute movement. Adirondack Voices consists of settings of folk songs that were brought to America from UK and spread through Adirondack logging communities. These aren’t simply transcriptions: the textual content of each song informsthe musical content.

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Media Date 
September 1, 2018
Media Source 
American Record Guide
Media Location 
Boston, MA
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BMOP's New Releases: Rose by any other Name

Continuing its impressive scheduled releases of new music as well as of overlooked twentieth century works, Gil Rose's Boston Modern Orchestra Project has recently completed two new recordings, David Rakowski's Stolen Moments and Piano Concerto No.2 and Virgil Thomson's Four Saints in Three Acts and Capital Capitals. Under its eight-year-old “BMOP/sound” independent record label, these two CDs are more evidence of the significant role of Rose in providing access to important contemporary compositions

Media Date 
December 1, 2016
Media Source 
South Shore Critic
Media Location 
Boston, MA
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Media Quote 

Continuing its impressive scheduled releases of new music as well as of overlooked twentieth century works, Gil Rose's Boston Modern Orchestra Project has recently completed two new recordings, David Rakowski's Stolen Moments and Piano Concerto No.2 and Virgil Thomson's Four Saints in Three Acts and Capital Capitals. Under its eight-year-old “BMOP/sound” independent record label, these two CDs are more evidence of the significant role of Rose in providing access to important contemporary compositions as well as classics of the previous century. 

Media Contact Name 
Jack Craib
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Kati Agócs's High-Drama Setting of Love and Devotion

The latest in the Boston Modern Orchestra Project's composer portrait series focuses on Kati Agócs, a Guggenheim-winning Boston-based, Canadian-born composer of Hungarian and American descent. The cross-cultural angle plays strongly into her latest project for the omnivorous Boston Modern Orchestra Project, which hurtles themes of love and devotion through a particularly intense prism of influences and language.

Media Date 
January 25, 2016
Media Source 
Q2 Music
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Media Contact Name 
Hannis Brown

Voir critique Mason Bates: Mothership

Le jeune compositeur américain Mason Bates (qui est aussi DJ) est l’un de ceux (avec John Adams) dont la musique est le plus souvent entendue dans les concerts symphoniques aux États-Unis, mais je ne crois pas qu’on l’ait jamais entendu chez nous… C’est donc encore une fois une excellente occasion que nous offrent le Boston Modern Orchestra Project et son chef Gil Rose de découvrir une partie de ce qui se fait aujourd’hui chez nous voisins du sud.

Media Date 
January 18, 2016
Media Source 
Voir Montréal
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Media Contact Name 
Réjean Beaucage

MusicWeb International on Bates: Mothership

Regular readers will know how averse I am to the sort of avant-garde music which merely seeks to annoy old fogies like myself – if that’s the intention, it surely works – and how delighted I am to be able to welcome works by contemporary composers which are a joy to listen to. There’s the odd item here that I shall have to come to terms with but nothing that I find harder to absorb than, say, the music of Toru Takemitsu.

Media Date 
February 1, 2016
Media Source 
MusicWeb International
Media 
Media Contact Name 
Len Mullenger

BMOP throws down orchestral music of Composer-DJ Mason Bates

Ever since the extravaganza of the YouTube Symphony’s premiere of Mason Bates’ Mothership at the Sydney Opera House in 2011, the piece has taken off (sorry), popping up in the programs of major orchestras across the US and abroad. Mothership is perhaps the most direct and largest-scale representation of Bates’ style as an ensemble composer, which blends contemporary American classical composition with jazz and electronic sounds. Its driving, grooving feel is positively addictive, like Short Ride in a Fast Machine seen through a smoky jazz/electronic kaleidoscope.

Media Date 
January 25, 2016
Media Source 
Second Inversion
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Media Contact Name 
Geoffrey Larson

Gapplegate Music Review on Bates: Mothership

Youngish composer Mason Bates (b. 1977) has a directly visceral approach to composing for orchestra that makes his music in-demand on concert stages throughout the world. The Boston Modern Orchestral Project under Gil Rose has recorded an anthology of Bates' works on the recent album Mothership
(BMOP/sound 1045).

Media Date 
January 29, 2016
Media Source 
Gapplegate Music Review
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You could play it for your kids and they might take to it right away. But then grandma might find it interesting, too.

Media Contact Name 
Grego Applegate Edwards

The always interesting Bates gives us something a little “funky”!

Mason Bates is, in my mind, one of the best and most promising younger generation American composers. His music is always refreshingly different with its reliance on a blend of electronic sound sources and live sampling plus traditional acoustical sources. He is not afraid to be just a little coy, humorous or shocking in his aesthetic, either, but always amazing!

Media Date 
January 12, 2016
Media Source 
Audiophile Audition
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This amazingly entertaining trip is almost like a disco abducted by aliens and going for a joyride; and I loved it!

Media Contact Name 
Daniel Coombs

Gapplegate Music Review on Ung: Singing Inside Aura

Cambodian-born composer Chinary Ung shows us in his latest collection of orchestral works, Singing Inside Aura (BMOP/sound 1044), that he is a major figure on the modern music scene. His childhood was spent absorbing the traditional music of his homeland, including the extensive vocalizations found in a small village setting of his original home. By the time he came to the United States to study under Chou Wen-chung, he had also thoroughly immersed himself in the study of western music.

Media Date 
January 26, 2016
Media Source 
Gapplegate Music Review
Media Location 
Boston, MA
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Media Contact Name 
Grego Applegate Edwards

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