What is the worst thing that would happen if you publicly admitted to being in throbbing love with the oeuvre of Phil Collins or the decidedly non-artisanal bite of Evan Williams bourbon? The pasty guy at the record store counter may mutter, “Typical…”, but it would be freeing, right? Andrew Norman’s Play is no such “guilty” pleasure, but the score reads as though written by a composer unrestrained by any hint of self-consciousness. It is also one that is acutely aware that audiences trek in and shell out bills to see a show not to hear music, but to watch it performed.
The Boston Modern Orchestra Project, led by conductor Gil Rose, is as essential to the success of this album as the score itself and the ensemble’s aesthetic buy-in is palpable.