February 27, 2009 — In Fanfare (31:2), I reviewed a Naxos release of chamber music by Robert Erickson (1917-1997), a California-based avant-garde composer and respected teacher. I found the music on that disc uncompelling, with the glowing exception of a late work for piano and chamber ensemble, Recent Impressions. In it, Erickson’s obsessions with sonority, Asian music, Schoenbergian Klangfarbenmelodie, and Cage-like purity came together to produce something quite individual.
